Sarah Wijzenbeek
© Michael Klinkhamer
© Michael Klinkhamer
FABIO TRÜMPY
General Management
ENQUIRY
Swiss tenor Fabio Trümpy studied with Margreet Honig in Amsterdam before he joined the Opera Studio Nederland. He is recipient of the Prix des Amis du Festival d’Art Lyrique in Aix-en-Provence and a former member of the Opernhaus Zürich, where his roles included Telemaco/Il ritorno d'Ulisse in patria, Oronte/Alcina and Steuermann/Der Fliegende Holländer.

Most recent highlights include the title role in Prometeo by Antonio Draghi at Opéra de Dijon, conducted by Leonardo García Alarcón, Oronte in a new production of Alcina by Katie Mitchell, conducted by Andrea Marcon, at the Bolshoi Theatre in Moscow as well as for Hamburgische Staatsoper, where he also appeared as Telemaco in Monteverdi’s Il ritorno d’Ulisse in patria. Furthermore, Don Ottavio in Don Giovanni at the Beaune Festival under Jérémie Rhorer, Mozart’s Requiem with Les Musiciens du Louvre and Marc Minkowski, Bach’s Trauerode with the Gulbenkian Orchestra under Leonardo García Alarcón and Bach Cantatas with the Sinfonieorchester des Bayerischen Rundfunks in Munich under Giovanni Antonioni.

Elsewhere, he has sung Tamino/Die Zauberflöte at the Spoleto Festival in the US, Camille/Die lustige Witwe at the Opéra national de Lorraine in Nancy, Aleya/House from the Dead staged by Calixto Bieito at Theater Basel, Pane/La Calisto and Fritz in Offenbach’s La Grande-duchesse de Gerolstein, both at the Grand Théâtre de Genève, Pastore in Sasha Waltz’ production of Monteverdi’s Orfeo at Festspielhaus Baden Baden, Opera de Lille and Berlin State Opera, with the Freiburger Barockorchester, conducted by Pablo Heras-Casado.

With the Orchestra of the 18th Century Fabio Trümpy has performed Evangelist in Bach’s Johannes-Passion and tenor arias in the Matthäus-Passion, Jaquino in Beethoven’s Fidelio, Basilio and Don Curzio/Le Nozze di Figaro and Haydn’s Schöpfung.

Other concert appearances include Don Ottavio at the theatre in Versailles and Evangelist in Bach's Johannes-Passion on European tour, both with Les Musiciens du Louvre under Marc Minkowski, Schubert’s Stabat Mater with the Netherlands Radio Philharmonic Orchestra under James Gaffigan, Donizetti's Requiem at the Festival St. Denis, Evangelist in Bach’s Matthäus-Passion with the Residentie Orkest, Rossini’s Petite messe solennelle with the Flemish Radio Choir under Hervé Niquet at the Concertgebouw Amsterdam, Haydn’s Missa in tempore belli with the Netherlands Chamber Orchestra, Le berger in Stravinsky’s Oedipus Rex with the Tonhalle Orchester Zürich and the Orchestre de la Suisse Romande under Charles Dutoit, Iro in Hans Werner Henze’s adaptation of Monteverdi’s Il ritorno d'Ulisse in patria with the WDR Sinfonieorchester Köln and Kurt Weill’s Berliner Requiem with the Tonhalle Orchester Zürich under David Zinman and Bach’s Weihnachtsoratorium with the Residentie Orkest, Züricher Kammerorchester and the Royal Concertgebouw Orchestra.

Highlights of the 2020/21 season include a return to Opéra de Dijon as Ruggiero in Luigi Rossi’s Il Palazzo Incantato, conducted by Leonardo García Alarcón, Michael Haydn’s Requiem with the NDR Chor and Klaas Stok at the Elbphilharmonie Hamburg, Dvořák’s Stabat Mater with the Vlaamse Radio Choir, Mozart’s Mass in c-minor with Het Residentie Orkest under Richard Egarr and Bach’s Matthäus-Passion with Capella Mediterranea in Dijon and Geneva as well as with the Residentie Orkest under Peter Dijkstra.
 
ANY PUBLIC USE OF THE ABOVE TEXT IS NOT PERMITTED WITHOUT SPECIFIC
AUTHORIZATION OF SOREK ARTISTS MANAGEMENT.

Bach Drama

Chœur de Chambre de Namur
Les Agrémens
Conductor:Leonardo García Alarcón
AMBRONAY editions (AMY031)

 

J.S.Bach: Matthäus-Passion

RIAS Kammerchor Berlin, Akademie für Alte Musik Berlin, Staats- und Domchor Berlin
René Jacobs, cond
with Fabio Trümpy, Werner Güra, Bernarda Fink, Topi Lehtipuu, Konstantin Wolff
harmonia mundi

A. Draghi: Il Prometeo

Cappella Mediterranea, Choeur de Chambre de Namur
Leonardo Garcia Alarcon, cond
with: Fabio Trümpy, Scott Conner, Mariana Flores, Giuseppina Bridelli
Alpha (9672309)

J. Haydn, Mit Würd' und Hoheit angetan (Die Schöpfung)

J. S. Bach, Phöbus, deine Melodei (BWV 201)

FABIO TRÜMPY: A. Draghi, Monólog (El Prometeo)

"Hervorzuheben ist auch die fabelhafte Leistung des Schweizer Tenors Fabio Trümpy [...] Trümpy besitzt einen lyrischen, klaren und kräftigen Tenor, der die Partie des Oronte in reinen Wohlklang verwandelte. Auch dafür gab es schließlich stürmischen Applaus und viele Bravos. Von diesem Sänger möchte man mehr hören."
klassik-begeistert.de, G.F. Händel, Alcina - Staatsoper Hamburg, February 2020
"Fabio Trümpy was a magnetic Telemaco, both tortured and passionate, and he also brought out a beauty in the text through his vocalism."
operatraveller.com, C. Monteverdi, Il ritorno d'Ulisse in patria - Staatsoper Hamburg, January 2019
"Le Prométhée de Fabio Trümpy, beau ténor alliant idéalement héroïsme et dolorisme, est une vraie révélation."
diapasonmag.fr, A. Draghi, El Promete - Opéra de Dijon, June 2018
“Fabio Trümpy, avec sa belle voix expressive de ténor, incarne avec fougue, passion et un engagement scénique total, ce parcours de Prométhée jusqu’à la réalisation de ses aspirations.”
olyrix.com, A. Draghi, El Prometeo - Opéra de Dijon , June 2018
"Im Brucknerhaus verwirklichte Minkowski die Johannespassion mit einem Chor aus nur acht Sängern: zwei Soprane, ein Altus und eine Altistin, zwei Tenöre, wobei Fabio Trümpy der großartig beweglich klangschöne Erzähler war [...]"
nachrichten.at, Les Musiciens du Louvre - J.S. Bach, St John's Passion, April 2017
"De ce naufrage, l’évangéliste de Fabio Trümpy sort vainqueur. Son ténor chaud et moelleux est une merveille vocale, le diseur est dramatique et son humanisme irradie à chacune de ses interventions redoutables. Le ténor Suisse est un évangéliste absolument parfait. Par chance l’entente avec le continuo est sensationnelle et donne beaucoup de vie et de souplesse à l’ensemble."
classiquenews.com, Les Musiciens du Louvre - J.S. Bach, St John's Passion, April 2017
"Das führte zu einer Präsenz der Passionsgeschichte, die nichts von der gepflegten Ausführlichkeit hatte, die sonst zuweilen mitschwingt. So wie Fabio Trümpy als Evangelist fast jedem Wort profilierte Bedeutung verlieh [...]"
Der Standard, Les Musiciens du Louvre - J.S. Bach, St John's Passion, April 2017

Fabio Trümpy

Bio English

Fabio Trümpy

Photo Credit: Sarah Wijzenbeek

Please send us an e-mail to info@sorekartists.com or use the links listed below:
To
 
Name
  
 
Email
  
 
Phone
 
Phone 2
Your Message
 
Check this box if you would like to receive a copy of this e-mail